By Alan Hustak September, 2012 Published in
The Métropolitian
Sex, guilt, music, Serbian-Croatian politics and the atrocities committed by the fascist Croatian Ustasha revolutionary movement during the Second World War figure prominently in Bluebeard’s Seventh Door, Andre Vecsei ‘s didactic novel which his wife has published posthumously. The title comes from one of the author’s favourite operas by Bartok in which pentatonic chords reminded him of “The antagonism between men and women.” Continue reading